Lindenwood University, The Boyle Family Gallery
J. Scheidegger Center for the Arts
Saint Charles, MO
Our relationship to the sea is the foundation of Joan Hall’s creative works. Plastic is becoming a global problem, polluting our greatest resource–WATER. As an experienced sailor, Hall has experienced the vastness and the beauty of the ocean beyond the sight of land. In June 2011, Hall drove an RV to the Gulf of Mexico to document pollution on the coast of Louisiana. This “mobile studio” allowed her to integrate “field work” into her studio practice. Near the Texas border in Johnson’s Bayou, plastic containers, rope, and gloves washed up on the shore each day from as far away as Haiti. They were combined with handmade paper to document, map, and freeze the pollution as relics of a specific time. Hall then drove to another location on the shore; Grande Isle, located south of New Orleans. The campgrounds had just been opened for use after the 2011 oil spill. Had closed it down. Clean-up gloves filled with oily residue, hard hats, and plastic washed up constantly on the shore. The “black sand” left on the beach after a very low tide proved to actually be coagulant used to dry up oil in the water. Newer works in the exhibition are a result of Hall’s continued research in the Gulf of Mexico, recently on Captiva Island, Florida. In 2014 while on the Island there was a huge storm from the Northwest. The next morning walking along the beach Hall was beach combing for
shells, she found shells that were bleached and aged to a pure white with a black edge. They were quite beautiful and unusual until she realized the black coloring was do to oil. It was said in 2011 that BP was using a substance to force the oil to the bottom of the gulf- and 3 years later evidence was washed up on the beach. Rubbing the shells between her fingers the black substance transferred to her hands.
The gulf project was funded in part by the Washington University in St. Louis, Sam Fox School of Design & Visual Arts.
“10% of all plastic produced in the world ends up in the ocean.
Seawater is turning acidic, threatening fish, coral and other marine life.
Crucial habitats are falling victim to the changing chemistry in the ocean.
Warm water coral reefs are dying at an alarming rate.
Coral grows .04 inch per year.
The oceans are explicably linked to the health of each and every one of us who inhabit the earth.
Like humans, the octopus is versatile, successful, and intelligent, but has no power, therefore no
choice and no voice in shaping the overall future of the planet. WE DO.“
– Sylvia Earle, “Ocean, An Illustrated Atlas.” July 2008
Warming Waters 2014
80 x 145 x2″
Cast paper, glass beads, shells,
Incoming Tide 2104
90 x 132 x 2″
Cast paper, dry pigment, plastic Detritus, handmade glass pins
Grande Isle, 2011 – Mississippi Delta, 2013 – Captiva, 2014